Key Takeaways
The virtual nature of the Summit means it’s more accessible, both for world-class clinicians and busy attendees!
While the Summit takes place June 13-15, 2019, registered attendees can watch archived sessions at any time.
The virtual nature of the Summit means it’s more accessible, both for world-class clinicians and busy attendees!
While the Summit takes place June 13-15, 2019, registered attendees can watch archived sessions at any time.
Having an over-arching philosophy for every level you teach is essential
Realize that beginners can sound as good as advanced performers; if only on single notes
The only discipline is self-discipline
Celebrate small wins
Choose your attitude
Never be defensive or make excuses – just listen
Temper your expectations
Why is utilizing popular music essential in expanding our music education paradigm?
How do traditional, jazz, and popular music education pedagogies differ?
How can we implement pop music into our rehearsals?
When in doubt, wait it out!
Sleep well. Eat healthy. Power walk. Practice empathy.
When you have free time, take it for real. When it’s free, it’s free – rest when you can rest.
The Orff approach is a great way to get students singing harmonies and independent parts more quickly.
Singing with (and over) your students isn’t always the best way.
Be open to Orff experiences and the ways it can enrich you as a teacher, and your students as learners
Step one: clarify expectations with your principal
Building relationships is key to classroom management
Sticker charts can work!
Repetition is a good thing
You can skill give kids a festival-like experience without all the expense involved in travel.
Bring in a clinician not only to work with your students, but also to work with you.
Next level for your kids: give them a base of knowledge of the rubric language that will be used for festival evaluation.
Unlike sticker charts, grades, and incentives, promoting intrinsic motivation provides students with the purpose, autonomy, and mastery required to excel on their own.
Giving kids choice doesn’t mean a free-for-all, we can still guide their choices.
Simply asking an otherwise difficult student to complete a task, like handing out music, can give them some vital ownership of what goes on in the classroom.
“Without technology in any classroom you are fighting an uphill battle for relevance.”
“When it comes to implementing technology, start out slowly, add a little at a time.”
“Get training. There are many free resources (see below). If you don’t get trained, you won’t feel comfortable.”
At the risk of being my own spoiler, here are this weeks’ seven key takeaways:
Eat veggies at every meal
Habitually sanitize
Prioritize rest
Start your day in silence
Connect with nature
Get your vitamin D
Be present
Especially in your first 5 years you have to give yourself a lot of grace
You have to allow yourself to make mistakes in order to become the educator you were meant to be. It takes grace to get past the struggles, criticism, and self-doubts that are common in the first few years.
Music can be a job and a hobby
Whatever feeds you – whatever makes you feel good – IS good. Just because you teach band by day doesn’t mean you can’t play in the community band by night. Go with it!
Find a mentor
This might be the most important advice I hear again and again. Find your tribe. Reach out to the more experienced directors in your area. They are so often willing to help and can become your lifelines. The hardest part is simply asking them for their help.
Read MoreWe need to maintain our relationship with music
When our livelihoods begin to depend on music, our relationship with music – originally based simply on joy – can get tested. We can learn to remain connected with that original joy.
Turn up the music
“Find some sounds to drown out the shouts.” We must learn to amplify the music in our minds to drown out our anxieties.
The number one tip we can learn from the Inner Game of Music?
We need to be informed, and sometimes educated, to things that may not be in the normal pedagogy. There are two kinds of feeling or energy – that which is inside us and which is in the music itself. We can learn to merge the two.
Read MoreEveryone doesn’t have to possess the same musical skills
You don’t have to master every skill. Everyone is different. It’s fine to have priorities.
Make sure you’re doing what’s right for you
Think about your end goals and make sure you choose a training plan that’s a good fit for your priorities.
Learning musical skills that aren’t directly applicable to your work can be incredibly beneficial
You may find, for example, that exploring improvisation can produce unexpected benefits when playing written music. It’s as if it’s all mysteriously connected…
Read MoreBring in others to listen
Have the vulnerability to bring somebody in to observe your rehearsals. It’s important to get this outsider perspective. Of course you can pick someone you’re comfortable with and from whom you’d welcome feedback and constructive criticism.
Say no more often
It’s okay to say no sometimes to somethings, both at work and at home. This is an important thing for us all to learn and practice. Take a minute to step back, evaluate, and prioritize.
The best educators delegate
You need to have open communication with parent boosters, student leadership, music staff, and other partners. Asking them for help doesn’t mean you can’t do things; it means you’re a good manager and that you value the contributions of others. Remember that people do like to hear “I need you.”
Read MoreTeaching private lessons – in person and online
Ideas for Entrepreneurship
How can I stay in music-related work?
Tips for Success
Ways to turn your hobby into a side hustle
Entrepreneur opportunities
Freelance Ideas
Tips for Success
Right now many teachers are in the throes of Back to School, which can cause a fair amount of stress, anxiety, and excitement. To help, Adam walks us through how to hack our classroom by helping us answer some of the most pressing questions, including:
How do we optimize our student’s focus, even if something has shaken them emotionally before they come to our classroom?
How should we set up our room for optimal flow?
What should our room feel like for our students and how do we craft that feeling?
Most of all, why is all of this important?
How we work with our admin to ensure program success
Where we put our biggest efforts to make the largest impact
How we can ensure growth year after year, whether that growth is enrollment numbers or performance improvement, or even adding class offerings for your students
What is the very first step you need to take to get started
How student leadership be scaled for all k-12 students
To foster individual leadership on a day-to-day basis
To help students discover the desire to lead their peers
What are the real benefits to you and your students